213 | Classical Private Palace
Walnut, stone and gold leaf.
This private palace in Sharjah is carried out in a warm classical language. Entrance halls are lined in panelled walnut, with carved gilt mouldings and doors, honey-coloured marble on the walls and floors inlaid with cream and brown stone. Fluted pilasters, carved capitals and crystal chandeliers lead the eye through a sequence of ceilings, each worked in plaster relief and gold.
The main majlis and the ladies’ majlis are long, formal rooms of tufted sofas, upholstered armchairs and patterned rugs, framed by heavy damask drapery with tasselled pelmets. The dining room seats a long table under a coffered ceiling, and the family sitting room and master bedroom turn softer, in cream, pale blue and gold.
Entrance hall
Main majlis
Ladies’ majlis
Entrance hall
A formal route that softens as it goes
The entrance halls receive guests first, and the eye is led upward from room to room by the changing ceilings. From there the route reaches the two majlis, the main one and the ladies' majlis, each arranged for gathering. The dining room follows, then the family sitting room, where the formality eases. The private end of the house is the master bedroom, with its washroom alongside.
In the entrance hall, walnut and gilt panelling sets a dark, warm frame, and the crystal chandelier scatters light across it. Bronze damask drapery dresses the main majlis, giving weight to the windows of a long room. In the ladies' majlis, gilded ceiling relief catches light from above. The washroom returns to walnut and stone, while the private rooms lighten to cream, pale blue and gold. This palace in Sharjah keeps one family of materials throughout, changing only its intensity.

